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Capacitors
- Mundorf ECap
- Mundorf MCap
- Mundorf MCap RXF
- Mundorf MCap ZN
- Mundorf MCap SUPREME
- Mundorf MEAI
- Mundorf MEAIO
- Mundorf MESGO
- Mundorf MCap SUPREME silver/oil
- Mundorf MCap SUPREME silver/gold
- Mundorf MCap SUPREME silver/gold/oil
- Mundorf TubeCap
- Mundorf MLytic HV
- Mundorf MLytic AG
- Mundorf MLytyc HC
- Auricap XO
- Jantzen Audio MKT Cap
- Jantzen Audio Cross Cap
- Jantzen Audio Standard Z-Cap
- Jantzen Audio Superior Z-Cap
- Jantzen Audio Silver Z-Cap
- Jantzen Audio Copper Foil Amber Z-Cap
- Jantzen Audio Alumen Z-Cap
- Jantzen Audio SilverGold Z-cap
- Rike Audio S-cap Paper in Oil
- Mundorf Mlytic HC+ (4-pole)
- Mundorf MLytiv HV+ (4-Pin High Voltage Power Cap)
- Mundorf MCap SUPREME EVO
- Mundorf MCap SUPREME EVO Oil
- Mundorf MCap SUPREME EVO SilverGold
- Mundorf MCap SUPREME EVO SilverGold Oil
- Mundorf MLytic AG+
- RIKE Audio Q-Cap Copper Oil Polypropylen Capacitors
- RIKE Audio Oil-Paper-Capacitors - S-Cap 2
- Rike Audio Q-CAP2 PIO Copper Paper Oil capacitors
- Miflex Audio Capacitors
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Coils
- Mundorf M-Coil
- Mundorf M-Coil BV
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- Mundorf MCoil VNCU ZeroOhm (resin-soaked)
- Mundorf M-Coil LL Hepta Strand
- Mundorf M-Coil CF
- Mundorf M-Coil transformer-core
- Mundorf M-Coil CF transformer-core
- Mundorf M-Coil BV transformer-core
- MCoil VT transformer-core vacuum impregnated
- Mundorf M-Coil CF i-core
- Mundorf M-Coil BV i-core
- Mundorf M-Coil drum-core
- Mundorf M-Coil drum-core BV
- Mundorf M-Coil pin-core
- Mundorf M-Coil rod-core
- Mundorf M-Coil BV rod-core
- Mundorf M-Coil CF rod-core
- Mundorf M-Coil zero-ohm
- Mundorf M-Coil CF silver
- Mundorf M-Coil silver/gold
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Jantzen Air Cored Wire Coil
- Jantzen 13AWG 1,8mm Air Core Coils
- Jantzen 14AWG 1,6mm Air Core Coils
- Jantzen 15AWG 1,4mm Air Core Coils
- Jantzen 17AWG 1,2mm Air Core Coils
- Jantzen 18AWG 1,0mm Air Core Coils
- Jantzen 20AWG 0,8mm Air Core Coils
- Jantzen 21AWG 0,7mm Air Core Coils
- Jantzen 22AWG 0,63mm Air Core Coils
- Jantzen 24AWG 0,5mm Air Core Coils
- Jantzen 26AWG 0,4mm Air Core Coils
- Jantzen 29AWG 0,3mm Air Core Coils
- Jantzen Audio Wax Coil
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Jantzen Iron Cored Coils With Discs
- Jantzen 13AWG 1,8mm Iron Cored Coils with Discs
- Jantzen 14AWG 1,6mm Iron Cored Coils with Discs
- Jantzen 15AWG 1,4mm Iron Cored Coils with Discs
- Jantzen 17AWG 1,2mm Iron Cored Coils with Discs
- Jantzen 18AWG 1mm Iron Cored Coils with Discs
- Jantzen 20AWG 0,8mm Iron Cored Coils with Discs
- Jantzen 21AWG 0,7mm Iron Cored Coils with Discs
- Jantzen 22AWG 0,63mm Iron Cored Coils with Discs
- Jantzen 24AWG 0,5mm Iron Cored Coils with Discs
- Jantzen 26AWG 0,4mm Iron Cored Coils with Discs
- Jantzen 29AWG 0,3mm Iron Cored Coils with Discs
- Jantzen C-Coil - Toroidal Core
- Jantzen Audio Cross Coil
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Jantzen Audio Iron Coil
- Jantzen Audio Iron Coil 13AWG
- Jantzen Audio Iron Coil 14AWG
- Jantzen Audio Iron Coil 15AWG
- Jantzen Audio Iron Coil 17AWG
- Jantzen Audio Iron Coil 18AWG
- Jantzen Audio Iron Coil 20AWG
- Jantzen Audio Iron Coil 21AWG
- Jantzen Audio Iron Coil 22AWG
- Jantzen Audio Iron Coil 24AWG
- Jantzen Audio Iron Coil 26AWG
- Jantzen Audio Iron Coil 29AWG
- Jantzen Audio Litz Wire Wax Coil
- Mundorf MCoil VLCU
- Mundorf MCoil VSCU
- Mundorf MCoil VS iCore (resin-soaked)
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Speaker Drivers
- Tweeters
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- Fullrange
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- Seas Prestige
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- Design by SEAS
- SB Acoustics
- SB Acoustics Tweeters
- SB Acoustics Midrange
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- Accuton
- Audiotechnology
- Mundorf Hi-Fi AMT U Series tweeters
- Speaker driver accessories
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Hi-Fi and Hi-End equipment
- Mediaplayers
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- Headphone Amplifiers
- DACs
- CD/SACD-players
- Turntables
- Tonearms
- Accessories
AudioQuest Cinnamon 5m Optical Cable
AudioQuest Cinnamon Digital Optical Cable
Please note: this cable comes with a 3.5mm mini Toslink adaptor attached to one end. Please remove this to use a standard Toslink connection at both ends.
The audio frontier is all abuzz these days with the pleasure possible though HDMI, USB, FireWire® and Ethernet connections. However, these current generation digital technologies are only part of the story, just as the challenge of designing, manufacturing and choosing the best analog interconnects and speaker cables is as important as ever. The S/P-DIF (Sony® Philips Digital InterFace), which arrived in 1983 along with the CD, is still very much a part of our world today. S/P-DIF is transmitted through Digital Coax and Toslink fiber optics (EIA-J), making them still some of the most important cables in electronic entertainment.
While, thanks to HDMI, Toslink is not so often used to connect a DVD player to an A/V receiver, Toslink connectors are common on cable-boxes, TV sets, subwoofers, all sorts of products. And now, the 3.5mm Mini Optical connector, also somewhat incorrectly known as Mini-Toslink, is everywhere … from the 3.5mm dual-purpose headphone jack on a Mac laptop, to inputs on some of the finest portables.
For these many reasons, AudioQuest has refined and renewed our line of serious high performance OptiLink cables. All models and all lengths are now available Toslink to Toslink and Toslink to 3.5mm Mini Optical.
When the question is “how can a fiber-optic cable change the sound?” … the answer is easier to explain than for almost any other type of cable. If the light source were a coherent laser, firing into a vacuum, all the light would stay straight, arriving at its destination at the same time. Even if the LED light source in a Toslink system were coherent, the light entering a fiber-optic cable is scattered and dispersed by imperfections and impurities in the fiber. This can be measured as a loss of amplitude … but amplitude is not the problem, a 50% true loss would have no effect on sound quality.
The problem is that the dispersed light does get through the cable, but only after it has taken a longer path, like a pool ball bouncing off the side-rails, causing it to arrive later. This delayed part of the signal prevents the computer charged with decoding this information from being able to decode properly, or even at all. The inability to decode shows first at higher frequencies (not audio frequencies, this is a mono stream of digital audio information), so reduced bandwidth is a measurable signature of light being dispersed by a fiber. The punch line: The less dispersion in the fiber, the less distortion in the final analog audio signal presented to our ears.
There is another serious dispersal mechanism in the Toslink system. The fiber is a relatively huge 1.0mm in diameter, and the LED light source is also relatively large, spraying light into the fiber at many different angles. Even if the fiber were absolutely perfect, the signal would be spread across time because light rays entering at different angles take different length paths and arrives with different amounts of delay.
The almost complete solution to this problem is to use hundreds of much smaller fibers in a 1.0mm bundle. Because each fiber is limited as to what angle of input can enter the fiber, there is far less variety, and far less dispersion over time. This narrow-aperture effect is similar to how a pin-hole camera can take a picture without a lens … by letting in light at only a very limited range of angles, a picture can be taken, whereas removing the lens from a wider aperture would make photography impossible. Less light gets through a multi-fiber cable, but the light that does get into the fibers comes out within in a much smaller time-envelope.
So there is one problem, the dispersion of light across time … and two avenues towards a better result: less dispersion in the fiber (better polymers and ultimately quartz), and less dispersion by filtering the input angle. How simple is that! Listen and enjoy.
Specification :
- Lower-Dispersion Higher-Purity Fiber
- Low-Jitter (Digital Timing Errors)
- Precision Polished Fiber Ends
- 3 meter and above In-Wall Rated PVC
About AudioQuest
AudioQuest has been the largest cable supplier to the high-end specialist market for many years. AudioQuest is sold in several hundred outlets in the US and in over sixty countries. Bill Lowe (Founder) is especially pleased that this success has been possible despite his insistence that the foundation of the company, and the foundation of AudioQuest marketing, must be the performance of the product. In the audio world, many professionals have learned that it is not always convenient to listen to the products they sell … they might learn something they don’t want to know! Bill has always understood the challenge of basing the existence of AudioQuest on the performance of the product. However, to Bill, this is the only reasonable way to do business and the only acceptable way to combine his passion for music (and all things high performance), with his need to make a living.
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